【アーカイブ配信】人工知能美学芸術展 2022「演奏家に指が10本しかないのは作曲家の責任なのか」

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Dear English speakers, the instructions for purchasing tickets on this site are at the bottom of this page. Please scroll down.

※本チケットは2022年12月25日に開催されます『人工知能美学芸術展 2022「演奏家に指が10本しかないのは作曲家の責任なのか」』の公演のアーカイブ配信チケットとなります。


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「人間という枠組、すなわち「人間美学／人間芸術」を自明なものとしないアイヴズの言葉を起点として開催される本企画に立ち会わずして、2023 年を迎えることはできない。」

人工知能美学芸術研究会
中ザワヒデキ
草刈ミカ

【公演・企画の詳細はこちらから】
https://www.aibigeiken.com/exhibition2022/

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※著作権処理の関係でアーカイブ配信での曲目は変更となる可能性がございます。
　あらかじめご了承くださいませ。

1. コンロン・ナンカロウ
《自動演奏ピアノのための習作第21番》　
《自動演奏ピアノのための習作第27番》
《自動演奏ピアノのための習作第36番》　他

2. 人工知能美学芸術研究会
《2台のピアノのための四分音ハノン》（世界初演）

3. チャールズ・アイヴズ
《2台のピアノのための3つの四分音曲》

4. ゲオルク・フリードリヒ・ハース
《スティーヴ・ライヒ讃》（日本初演 ※主催者調べ）

ーーーーーーーーー
第43回AI美芸研シンポジウム
「演奏家に指が10本しかないのは作曲家の責任なのか」
ゲスト：片山杜秀、大屋雄裕
ーーーーーーーーー

5. 人工知能美学芸術研究会
《人工知能美学芸術交響曲》（世界初演）

6. アイヴズ《交響曲第4番》
（2011年改訂批判校訂版による日本初演）


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Artificial Intelligence Art and Aesthetics Exhibition
Is it the composer's fault that the performer has only 10 fingers?

"This project will be held from the words of Ives, who does not take the framework of the human being, or “Human Aesthetics / Human Art” (I), as an obvious starting point; we cannot celebrate the year 2023 without witnessing this event."

Hideki Nakazawa
Mika Kusakari
Artificial Intelligence Art and Aesthetics Research Group

Exhibition Details: https://www.aibigeiken.com/exhibition2022/index_e.html
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Program
(The Streaming program may be changed due to copyright.)

1. Conlon Nancarrow
Study for Player Piano No. 21
Study for Player Piano No. 27
Study for Player Piano No. 36

2. Artificial Intelligence Art and Aesthetics Research Group
Quarter-Tone Hanon for 2 Pianos (world premiere)

3. Georg Friedrich Haas
Hommage à Steve Reich (Japan premiere *according to the organizer)

4. Charles Ives
Three Quarter-Tone Pieces for 2 Pianos

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The 43rd AI Art & Aesthetics Research Meeting Symposium “Is it the composer's fault that the performer has only 10 fingers?”
Guest: Morihide Katayama, Takehiro Oya
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5. Artificial Intelligence Art and Aesthetics Research Group
Artificial Intelligence Art and Aesthetics Symphony (World premiere)

6. Charles Ives
Symphony No. 4 (Japan premiere of the 2011 critical edition)

出演者

ピアノ：秋山友貴(4, 6)、大須賀かおり(2, 3, 6)、及川夕美(2, 3, 6)
合唱(6)：ヴォクスマーナ、混声合唱団 空、女声合唱団 暁
管弦楽(5, 6)：タクティカートオーケストラ
正指揮(5, 6)：夏田昌和
副指揮(6)：浦部雪、西川竜太

他

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Pf: Tomoki Akiyama(4, 6), Kaori Osuga(2, 3, 6), Yumi Oikawa(2, 3, 6)
Chorus(6): Vox humana, Mixed Chorus - Ku, Female Choir - Akatsuki
Orchestra(5, 6): Tacticart Orchestra
Regular conductor(5, 6): Masakazu Natsuda
Assistant conductor(6): Yuki Urabe, Ryuta Nishikawa

etc.

お問い合わせ先

【主催】人工知能美学芸術研究会（AI美芸研）
【後援】チャールズ・アイヴズ協会
【協力】ALEPO株式会社、NPO法人AI愛護団体
【助成】 文化庁「ARTS for the future! 2」補助対象事業

※お問い合わせ
人工知能美学芸術研究会（AI美芸研）
　yoyaku@aibigeiken.com

※アーカイブ配信に関するお問い合わせ
株式会社タクティカート
　info@tacticart.co.jp

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【Organized by】
Artificial Intelligence Art and Aesthetics Research Group (AIAARG)
【Under the sponsorship of】
Charles Ives Society
【Supported by】
ALEPO Inc., NPO Corporation AI Patronage Group
【Under the Auspices of】
The Agency for Cultural Affairs “ARTs for the future! 2”

【Inquiry】
for Concert:
Artificial Intelligence Art and Aesthetics Research Group (AIAARG) | yoyaku@aibigeiken.com
for Archive Streaming:
Tacticart Inc. | info@tacticart.co.jp

Dear English Speakers!
The ticket sales page is in Japanese, but you can view the streaming video by following the instructions below!

●Please note the delivery period!
Until 23:00 on Saturday, December 31, 2022. (JST=Japan Standard Time)
＝ EST until 09:00 on Saturday, December 31, 2022.
＝ UTC until 14:00 on Saturday, December 31, 2022.

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